UNITY – Life & Art: Staffordshire University Fine Art Graduate Show… A Blog by Tia Campbell

Staffordshire University’s Fine Art students have gone out with a bang as they opened their final year exhibition with a private viewing on Friday 10th June 2016. The exhibition UNITY features work by 28 artists who presented a range of dynamic, captivating and intriguing art works made by the third year students as a part of their BA Hons Fine Art degree. The exhibition is a part of the university’s event “Show And Tell 2016” which celebrates the work of final year students graduating from Art and Design degrees at Staffordshire University.

The nature of the title UNITY brought together a range of artists with varied art practices. Combining different mediums such as paint, photography, film, and sculpture that communicated a breadth of concepts stretching from: Politics, Feminism, Landscape, Culture, to Conceptual ideas and more. The exhibition is a demonstration of the creativity of fresh and upcoming contemporary artists based in Stoke-on-Trent and surrounding regions. The art featured presents enthusiasm and excitement for the arts and a bright future for the artists in show who contribute to the art culture of Stoke-on-Trent. The show is evidence that art and creative culture is on the rise in Stoke-on-Trent and continues to influence the next generation of contemporary artists and makers.

The exhibition drew a large audience on the private view and received high praises from fellow students, staff and the surrounding public. The show continues to draw attention throughout the week as the exhibition continues until its closing date on Saturday 18th June 2016.

UNITY, Staffordshire University Fine Art Graduate Show 2016
(Staffordshire University, Cadman Gallery, College Rd, Shelton, ST4 2DE)
Opening times
Friday 10th June: 6:30pm-9:00pm
Saturday 11th June: 11:00am-5:00pm
Sunday 12th June: 11:00am-4:00pm
Monday 13th June: 10:00am-8:00pm
Tuesday 14th June: 10:00am-6:00pm
Wednesday 15th June: 10:00am-8:00pm
Thursday 16th June: 10:00am-6:00pm
Friday 17th June: 10:00am-6:00pm
Saturday 18th June: 11:00am-4:00pm

Tia Campbell
Appetite Cultural Reporter

 

The Mountaintop at New Vic Theatre: A Cultural Report by Emma-Leigh Hayes

Darkness cannot drive out darkness: Only light can do that. Hate cannot drive out hate: Only love can do that. Martin Luther King

Martin Luther King, an icon among the black community globally, has had his memory captured in a raw performance of The Mountaintop at New Vic Theatre.

Simple in design, the stage was a motel room in which the King himself would meet his death, greeted by the angel Camae.

This play captured the emotion behind the death of an icon, and with so many having left us this year such as Bowie and Alan Rickman, a play like this came about at the right time.

Set in America, we are greeted by MLK ordering a simple cup of coffee from room service. From there, the maid Camae is introduced and conversation sparks arguments and speeches.

There’s even a part where MLK gets the chance to speak with god herself, interpreted as a black woman.

The most exciting scene, I felt, was when MLK got to see the future. A future with less hate and more love. The sheer force behind Camae’s speech and the way that Martin reacted to it was a perfect round up of the show.

Director Abbey Wright cultivated not only a powerful and emotional performance that encapsulated the very core of racism, but created an educational undertone for those of us who knew little of the great MLK.

Assassinated in 1968 after rallying the people to fight for their rights, MLK preached love in defence of hate, and the performance of two actors on one simple stage brought that to life.

One of my favourite quotes from the evening was hard to pick out. After thinking back on the feeling I had coming out of the theatre, one of awe and thought, I decided on this:

They hate so easily, and we love too much.

This came about during a talk about the fear of bringing a black child into this world, the fear that they may end up dead before their time thanks to white Americans and their right to bare arms. This, or the police brutality that even today the majority of America still faces.

Other powerful lines from the show really stick with you afterwards. The idea of hoses that police used on peaceful protestors, washing away their dreams and drowning their hopes. The image of fear being a lover and companion, the exclamation of finally being equal.

Throughout the performance of two fantastic actors, Daniel Francis as MLK and Tala Gouveia as Camae, the entire range of emotions one person can feel are explored.

There are points where you will be laughing, flashes where you will be on the edge of your seat, and moments that force a tear to the eye.

This play was amazing. It takes actors with considerable talent to portray a story so hard hitting with such a history to it.

The Mountaintop by Katori Hall is a fantastic play showing at the New Vic Theatre until Saturday 25 June. It’s well worth the watch and I would highly recommend seeing it now while you have the chance.

Emma-Leigh Hayes
Appetite Cultural Reporter

Image: Andrew Billington Photography

The Appetite Cultural Reporter Team is a roving group of local writers, photographers and bloggers who are passionate about the arts in Stoke-on-Trent. Cultural Reporters discover and promote  exciting stuff happening locally and regionally through reviews, blogs, vlogs, photography, back stage interviews and more. From theatre to circus to spoken word, they get to the heart of the action and  bring it to you. Got an event coming up you’d like one of the team to review? Contact us at askus@appetitestoke.co.uk

Three Days in Stoke on Trent: Stoke Literary Festival 2016, a blog by Sallie Tams

Stoke on Trent Literary Festival completed its third year on Saturday evening, 11 June. I have had the pleasure of attending every year and in my opinion, it just keeps getting better.

Literary Festivals come in all shapes and sizes but you will go a long way to find one hosted right in the centre of a working factory.  Not just any factory, this is the Emma Bridgewater Factory in Hanley, Stoke on Trent a busy working factory and highly successful one too and if I may say so, a great example of British Business done right. Another good reason to feel #localandproud!

It was a packed programme with an added third day this year and with two of those days being during the week, opportunities existed to add in a factory tour.  I understand around 2500 people visited the Festival over the weekend with most sessions sold out. The Festival is already developing a range of fringe events as well. Loud and clear throughout all events was the importance of literacy and the ever-present need to encourage children in their adventures in reading from the earliest possible age.

The Meakin Room which was the location of most of the main events, it is large enough to accommodate a good sized audience and I would hazard a guess that would be between 200-250, it is light and airy even on a very warm and muggy day. The acoustics are good, it is wheelchair accessible and not so big that it is overpowering or impersonal, in fact that’s the crux of it, just like the New Vic Theatre of which I am so fond in Newcastle-under-Lyme, the Bridgewater factory manages to create an intimate and welcoming atmosphere which lends itself to an event of this type. There are other smaller rooms and studios which means simultaneous sessions are also hosted.  With a charming café serving lovely wholesome food, a beautiful urban oasis populated with wonderful plants, flowers, bees, chickens and ducks and retail therapy opportunities aplenty in the form of factory shops and the well-stocked event-only Waterstones bookshop, there was something for everyone and from the moment of arrival to the time of departure, everyone was made to feel totally welcome.

This year a refreshment station was added out in the courtyard offering free tea, coffee and very welcome water; a great place to enjoy the sunshine while it lasted.  This was a lovely idea and really helped ease congestion in the café.  Also in the courtyard, the Emergency Poet, Deborah Alma dispensing poetry for all ills from her vintage ambulance assisted by Nurse Verse and Poemedic, and children’s literacy charity, Beanstalk Stoke.

Speakers included Oscar nominee (Brooklyn 2016; An Education 2010) Nick Hornby who has a writer’s résumé to die for and whose novels include High Fidelity, About a Boy, How to Be Good & Funny Girl. Nick entertained us with tales of book signings, stalkers, the writer’s working practices, the often surprising sources of ideas and the most important thing for any writer: telling.

What better place than a pottery factory to hear world renowned ceramic artist, Edmund de Wall, OBE and winner of a number of literary prizes (The Hare with Amber Eyes, The White Road).
Emma Bridgewater’s own session in which her passion and enthusiasm shone through, was centered around her latest book, Pattern which is a visually stunning look at Bridgewater designs right back to the beginning of the company including an index of some 400 designs, Emma felt there were about as many again which were not included. As with her previous book Toast and Marmalade, includes some mouth-watering recipes.

Historian and classicist. Professor Mary Beard (S.P.Q.R, Pompeii, It’s A Don’s Life) brought the Roman empire to life in the most accessible and entertaining way including the hundreds of

bags of waste from a dry toilet now being analysed in Oxford which reveal a great deal about the surprisingly normal Roman diet, no stuffed dormice thankfully however the sea urchin spines found in this waste are enough to make eyes water!

Historian Orlando Figes gave us a fascinating insight into Revolutionary Russia; from the world of sport former England cricketer Graeme Fowler was in conversation with John Woodhouse and from TV, the delightful Kirstie Allsopp talked about everything from her news junkie habit to social media trolls. Million-copy bestselling author Meg Rosoff spoke on the subject of her latest book and first novel for adults, Jonathan Unleashed.

Stoke-on-Trent Central MP and historian, Tristram Hunt, Festival Trustee was finally let loose in a session of his own to discuss his latest book Ten Cities that made an Empire and led us on a whistle stop tour from Boston, Massachusetts around and across the globe finally arriving back in Liverpool.

Children’s author Cressida Cowell author of the fabulous and wildly popular How to Train Your Dragon series spoke on the final day when there was also the opportunity for children to get involved in a Gangsta Granny making workshop with stage show designer Jackie Trousdale.

Historian Juliet Nicolson (The Perfect Summer, The Great Silence, Abdication) spoke about her latest and most personal work, A House Full of Daughters. During the talk she passed around a letter opener fashioned from the sole of the flamenco shoe of her great-great grandmother Pepita, daughter of a Malaga washer-woman. I have to say this was a gem of a session and provoked a very well deserved standing ovation.

Award winning and Stoke-on-Trent born author, Lisa Blower discussed her debut novel, Sitting Ducks set in the Potteries. Sarah Raven gave us a lively talk about all the good things we should be eating (which in my case was all sounding great until we reached the broccoli) and the things we should avoid!  Cultural historian and Guardian/Evening Standard columnist, Simon Jenkins discussed our responsibilities to our architectural heritage.

Unfortunately, there were a couple of sessions that I missed including Peter Pan in Scarlet with author Geraldine McCraughrean and New Vic Theatre’s Artistic Director, Theresa Heskins and How to Get Published with Literary Agent Laura Williams, authors Caroline Lea, Misha Herwin and Programme Director Stuart Collins.

The event was brought to a rousing and lyrical close by the Great British Pottery Throwdown session with Keith Brymer-Jones, finalist Jim Ranson, Matthew Rice and Emma Bridgewater.  Jim very gamely serenaded us with his ever-present guitar, Matthew rose admirably to the challenge of coming up with two audience suggested designs and transferring them by hand to plates during the session, no pressure there! A very lively Q & A session ensued during which the message was loud and clear and a serious one too: we desperately need to find ways to bring ceramics back to the school curriculum.  There was good news too for enthusiasts of the TV programme, shooting Series 2 is to commence shortly.

All in all, it was a fabulous three days: inspirational, informative and thoroughly entertaining, for me there were a great many high points, perhaps the foremost being Professor Mary Beard with her fascinating insights into the Roman Empire; Juliet Nicholson, with a talk so authentically brave that many, myself included were reaching for the tissues as we were rising to our feet to applaud.

Huge thanks to everyone involved including Sponsors, Hosts, Trustees, Volunteers, factory staff and of course the wonderful speakers; this event is fast becoming a firm favourite on the literary festival calendar

The sun shone, the rain poured, there was tea, cake and books – what a perfect way to spend three days in Stoke-on-Trent.

Sallie Tams
Appetite Cultural Reporter

 

The Appetite Cultural Reporter Team is a roving group of local writers, photographers and bloggers who are passionate about the arts in Stoke-on-Trent. Cultural Reporters  discover and promote exciting stuff happening locally and regionally through reviews, blogs, vlogs, photography, back stage interviews and more.

From theatre to circus to spoken word, they get to the heart of the action and bring it to you.

Got an event coming up you’d like one of the team to review? Contact us at askus@appetitestoke.co.uk